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ACT I. MARY BEATON. SCENE I.—The Upper Chamber in Holyrood. The four MARIES. MARY BEATON (sings):—   1.   Le navire   Est a l'eau;   Entends rire   Ce

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whatever could To sight or thought be nam'd! Holy, divine! good, amiable, and sweet! How thou art falln'!--

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By W. Gilmore Simms “Nor will I be secure. In any confidence of mine own strength, For such security is oft the m

INTRODUCTION The book here included among The World's Classics made its first appearance as an octavo volume of xxiv + 352 pages, with the title-page: Characters of Shakespe

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his Opera Books page. Plain text adaption by Andrew Sly. CHAPTERS OF OPERA Being Historical and Critical Observations And Records Concerning the Lyric Drama in New Y

p. 3THE DAY IS COMING. Come hither lads, and hearken, for a tale there is to tell, Of the wonderful days a-coming when all shall be better than well. And the tale shall be to

Those that hold that all things are governed by Fortune had not erred, had they not persisted there SIR THOMAS BROWNE

OR, REMARKS ON RECENT EVENTS IN ZULULAND, NATAL, AND THE TRANSVAAL. By H. Rider Haggard First Published 1882.

CERTAIN DIVERSITIES OF AMERICAN LIFE By Charles Dudley Warner This is a very interesting age. Within the memory of men not yet come to middle life the time of the trotting h

CERES’ RUNAWAY One can hardly be dull possessing the pleasant imaginary picture of a Municipality hot in chase of a wild crop—at least while the charming quarry escapes, as it d

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when our history opens the Piazza of St. Peter’s at Rome was far from presenting so noble an aspect as that which is offered in our own day to anyone who approaches it by the Piazz