The Lure of the Labrador Wild
Dillon Wallace
Dillon Wallace L.H. Here, b'y, is the issue of our plighted troth. Why I am the scribe and not you, God knows: and you have his secret. D.W
공개저작물 세계 지식 라이브러리
Dillon Wallace
Dillon Wallace L.H. Here, b'y, is the issue of our plighted troth. Why I am the scribe and not you, God knows: and you have his secret. D.W
Caroline Sturgis Tappan Lydia Maria Child
By Lydia Maria Child The Author of “Rainbows for Children.” CONTENTS THE MAGICIAN'S SHOW BOX. THE VIOLET FLAME FLORIBEL.
Anonymous
A note from Michael Hart, preparer of the 0.1 version. This file contains a number of versions of the Magna Carta, some of which were a little mangled in transit. I am sure o
H. Rider Haggard
THE MAHATMA A DREAM STORY “Ultimately a good hare was found which took the field at . . . There the hounds pressed her, and on the hunt arriving at the edge of the cliff the h
Amelia E. Barr
By Amelia E. Barr Author of “The Bow of Orange Ribbon,” “Friend Olivia,” etc. 1900 CONTENTS CHAPTER I — THE HOME
Friedrich Schiller Translator
By Friedrich Schiller Translated by Anna Swanwick DRAMATIS PERSONAE. CHARLES THE SEVENTH, King of France. QUEEN ISABEL, his Mother
Vingie E. Roe
By Vingie E. Roe Published January, 1912 To My Mother Who Has Been My Constant Help My Father Who Was Proud Of Me
Bram Stoker
FORE-GLIMPSE ‘I would rather be an angel than God!’ The voice of the speaker sounded clearly through the hawthorn tree. The young man and the young girl who sat together on
J. Storer Clouston
PART I I IN THE CLOUDS "My God," said Rutherford, "the cable has broken!" In an instant I was craning over the side of the basket. Five hundred feet, 700 feet, 1000 fe
Nathaniel Hawthorne
The Man of Adamant An Apologue by Nathaniel Hawthorne In the old times of religious gloom and intolerance lived Richard Digby, the gloomiest and most intolerant of a ster
Harold MacGrath
CONTENTS CHAPTER I Introduces My Hero II Introduces My Heroine III The Adventure Begins IV A Family Reunion V The Plot Thickens VI The Man o
Anthony Trollope
Transcribed from the 1864 Chapman and Hall “Tales of All Countries” edition by David Price, email ccx074@pglaf.org THE MAN WHO KEPT HIS MONEY IN A BOX. I first saw the man who
P. G. Wodehouse
BILL THE BLOODHOUND There's a divinity that shapes our ends. Consider the case of Henry Pifield Rice, detective. I must explain Henry early, to
William Allen White
ILLUSTRATIONS Frontispiece And at that it seems a lot of money to pay for a rig which can be worn at most only two months "You'll have to put out that cigar, sir" She
William B. Laughead
The Marvelous Exploits of Paul Bunyan as Told in the Camps of the White Pine Lumbermen for Generations During Which Time the Loggers Have Pioneered the Way Through the Nor
Henrik Ibsen Translator
INTRODUCTION by William Archer With The Master Builder—or Master Builder Solness, as the title runs in the original—we enter upon the final stage in Ib
Irving Bacheller
& Co., cotton importers, Liverpool, as a “pair of legs.” My father had died suddenly, leaving me and his property in the possession of my stepmother and my guardian. It was in
Bull, Thomas
Azel Ames
[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]
Anna Katharine Green
by Anna Katherine Green CONTENTS CHAPTER I. A SPY’S DUTY CHAPTER II. QUESTIONS CHAPTER III. IN THE GABLE WIND
Abraham Merritt
By A. Merritt CONTENTS PROLOGUE CHAPTER I. VALLEY OF THE BLUE POPPIES CHAPTER II. THE SIGIL ON THE ROCKS CHAPTER III
J. S. Fletcher
CHAPTER I FACED WITH REALITY On that particular November evening, Viner, a young gentleman of means and leisure, who lived in a comfortable old house in Markendale Square,
Richard Savage
CHAPTER I. THE DANUBE PICTURE. There was no air of uncertainty upon the handsome countenance of Mr. Randall Clayton as he stepped out of the elevator of a sedate Fourte
Various
HIS MAJESTY'S PONEY PHAETON. We commence our tenth volume of the MIRROR with an embellishment quite novel in design from the generality of our graphic illustrations, but o