CHAPTER III—THE ANKLE-CHAIN MUST HAVE UNDERGONE A CERTAIN PREPARATORY
Y MANIPULATION TO BE THUS BROKEN WITH A BLOW FROM A HAMMER
BOOK THIRD—ACCOMPLISHMENT OF THE PROMISE MADE TO THE DEAD WOMAN
CHAPTER I—THE WATER QUESTION AT MONTFERMEIL
L
CHAPTER II—TWO COMPLETE PORTRAITS
S
CHAPTER III—MEN MUST HAVE WINE, AND HORSES MUST HAVE WATER
R
CHAPTER IV—ENTRANCE ON THE SCENE OF A DOLL
L
CHAPTER V—THE LITTLE ONE ALL ALONE
E
CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE’S INTELLIGENCE
E
CHAPTER VII—COSETTE SIDE BY SIDE WITH THE STRANGER IN THE DARK
K
CHAPTER VIII—THE UNPLEASANTNESS OF RECEIVING INTO ONE’S HOUSE A POOR
R MAN WHO MAY BE A RICH MAN
CHAPTER IX—THÉNARDIER AND HIS MANŒUVRES
S
CHAPTER X—HE WHO SEEKS TO BETTER HIMSELF MAY RENDER HIS SITUATION
N WORSE
CHAPTER XI—NUMBER 9,430 REAPPEARS, AND COSETTE WINS IT IN THE LOTTERY
Y
BOOK FOURTH—THE GORBEAU HOVEL
CHAPTER I—MASTER GORBEAU
U
CHAPTER II—A NEST FOR OWL AND A WARBLER
R
CHAPTER III—TWO MISFORTUNES MAKE ONE PIECE OF GOOD FORTUNE
E
CHAPTER IV—THE REMARKS OF THE PRINCIPAL TENANT
T
CHAPTER V—A FIVE-FRANC PIECE FALLS ON THE GROUND AND PRODUCES A TUMULT
T
BOOK FIFTH—FOR A BLACK HUNT, A MUTE PACK
CHAPTER I—THE ZIGZAGS OF STRATEGY
Y
CHAPTER II—IT IS LUCKY THAT THE PONT D’AUSTERLITZ BEARS CARRIAGES
S
CHAPTER III—TO WIT, THE PLAN OF PARIS IN 1727
7
CHAPTER IV—THE GROPINGS OF FLIGHT
T
CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS
S
CHAPTER VI—THE BEGINNING OF AN ENIGMA
A
CHAPTER VII—CONTINUATION OF THE ENIGMA
A
CHAPTER VIII—THE ENIGMA BECOMES DOUBLY MYSTERIOUS
S
CHAPTER IX—THE MAN WITH THE BELL
L
CHAPTER X—WHICH EXPLAINS HOW JAVERT GOT ON THE SCENT
T
BOOK SIXTH—LE PETIT-PICPUS
CHAPTER I—NUMBER 62 RUE PETIT-PICPUS
S
CHAPTER II—THE OBEDIENCE OF MARTIN VERGA
A
CHAPTER III—AUSTERITIES
S
CHAPTER IV—GAYETIES
S
CHAPTER V—DISTRACTIONS
S
CHAPTER VI—THE LITTLE CONVENT
T
CHAPTER VII—SOME SILHOUETTES OF THIS DARKNESS
S
CHAPTER VIII—POST CORDA LAPIDES
S
CHAPTER IX—A CENTURY UNDER A GUIMPE
E
CHAPTER X—ORIGIN OF THE PERPETUAL ADORATION
N
CHAPTER XI—END OF THE PETIT-PICPUS
S
BOOK SEVENTH—PARENTHESIS
CHAPTER I—THE CONVENT AS AN ABSTRACT IDEA
A
CHAPTER II—THE CONVENT AS AN HISTORICAL FACT
T
CHAPTER III—ON WHAT CONDITIONS ONE CAN RESPECT THE PAST
T
CHAPTER IV—THE CONVENT FROM THE POINT OF VIEW OF PRINCIPLES
S
CHAPTER V—PRAYER
R
CHAPTER VI—THE ABSOLUTE GOODNESS OF PRAYER
R
CHAPTER VII—PRECAUTIONS TO BE OBSERVED IN BLAME
E
CHAPTER VIII—FAITH, LAW
W
BOOK EIGHTH—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT
T
CHAPTER II—FAUCHELEVENT IN THE PRESENCE OF A DIFFICULTY
Y
CHAPTER III—MOTHER INNOCENTE
E
CHAPTER IV—IN WHICH JEAN VALJEAN HAS QUITE THE AIR OF HAVING READ
D AUSTIN CASTILLEJO
CHAPTER V—IT IS NOT NECESSARY TO BE DRUNK IN ORDER TO BE IMMORTAL
L
CHAPTER VI—BETWEEN FOUR PLANKS
S
CHAPTER VII—IN WHICH WILL BE FOUND THE ORIGIN OF THE SAYING: DON’T
T LOSE THE CARD
CHAPTER VIII—A SUCCESSFUL INTERROGATORY
Y
CHAPTER IX—CLOISTERED
D
VOLUME III—MARIUS
BOOK FIRST—PARIS STUDIED IN ITS ATOM
CHAPTER I—PARVULUS
S
CHAPTER II—SOME OF HIS PARTICULAR CHARACTERISTICS
S
CHAPTER III—HE IS AGREEABLE
E
CHAPTER IV—HE MAY BE OF USE
E
CHAPTER V—HIS FRONTIERS
S
CHAPTER VI—A BIT OF HISTORY
Y
CHAPTER VII—THE GAMIN SHOULD HAVE HIS PLACE IN THE CLASSIFICATIONS OF
F INDIA
CHAPTER VIII—IN WHICH THE READER WILL FIND A CHARMING SAYING OF THE
E LAST KING
CHAPTER IX—THE OLD SOUL OF GAUL
L
CHAPTER X—ECCE PARIS, ECCE HOMO
O
CHAPTER XI—TO SCOFF, TO REIGN
N
CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE
E
CHAPTER XIII—LITTLE GAVROCHE
E
BOOK SECOND—THE GREAT BOURGEOIS
CHAPTER I—NINETY YEARS AND THIRTY-TWO TEETH
H
CHAPTER II—LIKE MASTER, LIKE HOUSE
E
CHAPTER III—LUC-ESPRIT
T
CHAPTER IV—A CENTENARIAN ASPIRANT
T
CHAPTER V—BASQUE AND NICOLETTE
E
CHAPTER VI—IN WHICH MAGNON AND HER TWO CHILDREN ARE SEEN
N
CHAPTER VII—RULE: RECEIVE NO ONE EXCEPT IN THE EVENING
G
CHAPTER VIII—TWO DO NOT MAKE A PAIR
R
BOOK THIRD—THE GRANDFATHER AND THE GRANDSON
CHAPTER I—AN ANCIENT SALON
N
CHAPTER II—ONE OF THE RED SPECTRES OF THAT EPOCH
H
CHAPTER III—REQUIESCANT
T
CHAPTER IV—END OF THE BRIGAND
D
CHAPTER V—THE UTILITY OF GOING TO MASS, IN ORDER TO BECOME A
A REVOLUTIONIST
CHAPTER VI—THE CONSEQUENCES OF HAVING MET A WARDEN
N
CHAPTER VII—SOME PETTICOAT
T
CHAPTER VIII—MARBLE AGAINST GRANITE
E
BOOK FOURTH—THE FRIENDS OF THE A B C
CHAPTER I—A GROUP WHICH BARELY MISSED BECOMING HISTORIC
C
CHAPTER II—BLONDEAU’S FUNERAL ORATION BY BOSSUET
T
CHAPTER III—MARIUS’ ASTONISHMENTS
S
CHAPTER IV—THE BACK ROOM OF THE CAFÉ MUSAIN
N
CHAPTER V—ENLARGEMENT OF HORIZON
N
CHAPTER VI—RES ANGUSTA
A
BOOK FIFTH—THE EXCELLENCE OF MISFORTUNE
CHAPTER I—MARIUS INDIGENT
T
CHAPTER II—MARIUS POOR
R
CHAPTER III—MARIUS GROWN UP
P
CHAPTER IV—M. MABEUF
F
CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY
Y
CHAPTER VI—THE SUBSTITUTE
E
BOOK SIXTH—THE CONJUNCTION OF TWO STARS
CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES
S
CHAPTER II—LUX FACTA EST
T
CHAPTER III—EFFECT OF THE SPRING
G
CHAPTER IV—BEGINNING OF A GREAT MALADY
Y
CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON
N
CHAPTER VI—TAKEN PRISONER
R
CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES
S
CHAPTER VIII—THE VETERANS THEMSELVES CAN BE HAPPY
Y
CHAPTER IX—ECLIPSE
E
BOOK SEVENTH—PATRON MINETTE
CHAPTER I—MINES AND MINERS
S
CHAPTER II—THE LOWEST DEPTHS
S
CHAPTER III—BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE
E
CHAPTER IV—COMPOSITION OF THE TROUPE
E
BOOK EIGHTH—THE WICKED POOR MAN
CHAPTER I—MARIUS, WHILE SEEKING A GIRL IN A BONNET, ENCOUNTERS A MAN
N IN A CAP
CHAPTER II—TREASURE TROVE
E
CHAPTER III—QUADRIFRONS
S
CHAPTER IV—A ROSE IN MISERY
Y
CHAPTER V—A PROVIDENTIAL PEEP-HOLE
E
CHAPTER VI—THE WILD MAN IN HIS LAIR
R
CHAPTER VII—STRATEGY AND TACTICS
S
CHAPTER VIII—THE RAY OF LIGHT IN THE HOVEL
L
CHAPTER IX—JONDRETTE COMES NEAR WEEPING
G
CHAPTER X—TARIFF OF LICENSED CABS: TWO FRANCS AN HOUR
R
CHAPTER XI—OFFERS OF SERVICE FROM MISERY TO WRETCHEDNESS
S
CHAPTER XII—THE USE MADE OF M. LEBLANC’S FIVE-FRANC PIECE
E
CHAPTER XIII—SOLUS CUM SOLO, IN LOCO REMOTO, NON COGITABUNTUR ORARE
E PATER NOSTER
CHAPTER XIV—IN WHICH A POLICE AGENT BESTOWS TWO FISTFULS ON A LAWYER
R
CHAPTER XV—JONDRETTE MAKES HIS PURCHASES
S
CHAPTER XVI—IN WHICH WILL BE FOUND THE WORDS TO AN ENGLISH AIR WHICH
H WAS IN FASHION IN 1832
CHAPTER XVII—THE USE MADE OF MARIUS’ FIVE-FRANC PIECE
E
CHAPTER XVIII—MARIUS’ TWO CHAIRS FORM A VIS-A-VIS
S
CHAPTER XIX—OCCUPYING ONE’S SELF WITH OBSCURE DEPTHS
S
CHAPTER XX—THE TRAP
P
CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS
S
CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN VOLUME TWO
O
VOLUME IV—SAINT-DENIS
BOOK FIRST—A FEW PAGES OF HISTORY
CHAPTER I—WELL CUT
T
CHAPTER II—BADLY SEWED
D
CHAPTER III—LOUIS PHILIPPE
E
CHAPTER IV—CRACKS BENEATH THE FOUNDATION
N
CHAPTER V—FACTS WHENCE HISTORY SPRINGS AND WHICH HISTORY IGNORES
S
CHAPTER VI—ENJOLRAS AND HIS LIEUTENANTS
S
BOOK SECOND—ÉPONINE
CHAPTER I—THE LARK’S MEADOW
W
CHAPTER II—EMBRYONIC FORMATION OF CRIMES IN THE INCUBATION OF PRISONS
S
CHAPTER III—APPARITION TO FATHER MABEUF
F
CHAPTER IV—AN APPARITION TO MARIUS
S
BOOK THIRD—THE HOUSE IN THE RUE PLUMET
CHAPTER I—THE HOUSE WITH A SECRET
T
CHAPTER II—JEAN VALJEAN AS A NATIONAL GUARD
D
CHAPTER III—FOLIIS AC FRONDIBUS
S
CHAPTER IV—CHANGE OF GATE
E
CHAPTER V—THE ROSE PERCEIVES THAT IT IS AN ENGINE OF WAR
R
CHAPTER VI—THE BATTLE BEGUN
N
CHAPTER VII—TO ONE SADNESS OPPOSE A SADNESS AND A HALF
F
CHAPTER VIII—THE CHAIN-GANG
G
BOOK FOURTH—SUCCOR FROM BELOW MAY TURN OUT TO BE SUCCOR FROM ON HIGH
CHAPTER I—A WOUND WITHOUT, HEALING WITHIN
N
CHAPTER II—MOTHER PLUTARQUE FINDS NO DIFFICULTY IN EXPLAINING A
A PHENOMENON
BOOK FIFTH—THE END OF WHICH DOES NOT RESEMBLE THE BEGINNING
CHAPTER I—SOLITUDE AND THE BARRACKS COMBINED
D
CHAPTER II—COSETTE’S APPREHENSIONS
S
CHAPTER III—ENRICHED WITH COMMENTARIES BY TOUSSAINT
T
CHAPTER IV—A HEART BENEATH A STONE
E
CHAPTER V—COSETTE AFTER THE LETTER
R
CHAPTER VI—OLD PEOPLE ARE MADE TO GO OUT OPPORTUNELY
Y
BOOK SIXTH—LITTLE GAVROCHE
CHAPTER I—THE MALICIOUS PLAYFULNESS OF THE WIND
D
CHAPTER II—IN WHICH LITTLE GAVROCHE EXTRACTS PROFIT FROM NAPOLEON THE
E GREAT
CHAPTER III—THE VICISSITUDES OF FLIGHT
T
BOOK SEVENTH—SLANG
CHAPTER I—ORIGIN
N
CHAPTER II—ROOTS
S
CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS
S
CHAPTER IV—THE TWO DUTIES: TO WATCH AND TO HOPE
E
BOOK EIGHTH—ENCHANTMENTS AND DESOLATIONS
CHAPTER I—FULL LIGHT
T
CHAPTER II—THE BEWILDERMENT OF PERFECT HAPPINESS
S
CHAPTER III—THE BEGINNING OF SHADOW
W
CHAPTER IV—A CAB RUNS IN ENGLISH AND BARKS IN SLANG
G
CHAPTER V—THINGS OF THE NIGHT
T
CHAPTER VI—MARIUS BECOMES PRACTICAL ONCE MORE TO THE EXTENT OF GIVING
G COSETTE HIS ADDRESS
CHAPTER VII—THE OLD HEART AND THE YOUNG HEART IN THE PRESENCE OF EACH
H OTHER
BOOK NINTH—WHITHER ARE THEY GOING?
CHAPTER I—JEAN VALJEAN
N
CHAPTER II—MARIUS
S
CHAPTER III—M. MABEUF
F
BOOK TENTH—THE 5TH OF JUNE, 1832
CHAPTER I—THE SURFACE OF THE QUESTION
N
CHAPTER II—THE ROOT OF THE MATTER
R
CHAPTER III—A BURIAL; AN OCCASION TO BE BORN AGAIN
N
CHAPTER IV—THE EBULLITIONS OF FORMER DAYS
S
CHAPTER V—ORIGINALITY OF PARIS
S
BOOK ELEVENTH—THE ATOM FRATERNIZES WITH THE HURRICANE
CHAPTER I—SOME EXPLANATIONS WITH REGARD TO THE ORIGIN OF GAVROCHE’S
S POETRY.
CHAPTER II—GAVROCHE ON THE MARCH
H
CHAPTER III—JUST INDIGNATION OF A HAIR-DRESSER
R
CHAPTER IV—THE CHILD IS AMAZED AT THE OLD MAN
N
CHAPTER V—THE OLD MAN
N
CHAPTER VI—RECRUITS
S
BOOK TWELFTH—CORINTHE
CHAPTER I—HISTORY OF CORINTHE FROM ITS FOUNDATION
N
CHAPTER II—PRELIMINARY GAYETIES
S
CHAPTER III—NIGHT BEGINS TO DESCEND UPON GRANTAIRE
E
CHAPTER IV—AN ATTEMPT TO CONSOLE THE WIDOW HUCHELOUP
P
CHAPTER V—PREPARATIONS
S
CHAPTER VI—WAITING
G
CHAPTER VII—THE MAN RECRUITED IN THE RUE DES BILLETTES
S
CHAPTER VIII—MANY INTERROGATION POINTS WITH REGARD TO A CERTAIN LE
E CABUC
BOOK THIRTEENTH—MARIUS ENTERS THE SHADOW
CHAPTER I—FROM THE RUE PLUMET TO THE QUARTIER SAINT-DENIS
S
CHAPTER II—AN OWL’S VIEW OF PARIS
S
CHAPTER III—THE EXTREME EDGE
E
BOOK FOURTEENTH—THE GRANDEURS OF DESPAIR
CHAPTER I—THE FLAG: ACT FIRST
T
CHAPTER II—THE FLAG: ACT SECOND
D
CHAPTER III—GAVROCHE WOULD HAVE DONE BETTER TO ACCEPT ENJOLRAS’
’ CARBINE
CHAPTER IV—THE BARREL OF POWDER
R
CHAPTER V—END OF THE VERSES OF JEAN PROUVAIRE
E
CHAPTER VI—THE AGONY OF DEATH AFTER THE AGONY OF LIFE
E
CHAPTER VII—GAVROCHE AS A PROFOUND CALCULATOR OF DISTANCES
S
BOOK FIFTEENTH—THE RUE DE L’HOMME ARMÉ
CHAPTER I—A DRINKER IS A BABBLER
R
CHAPTER II—THE STREET URCHIN AN ENEMY OF LIGHT
T
CHAPTER III—WHILE COSETTE AND TOUSSAINT ARE ASLEEP
P
CHAPTER IV—GAVROCHE’S EXCESS OF ZEAL
L
VOLUME V—JEAN VALJEAN
BOOK FIRST—THE WAR BETWEEN FOUR WALLS
CHAPTER I—THE CHARYBDIS OF THE FAUBOURG SAINT ANTOINE AND THE SCYLLA
A
CHAPTER II—WHAT IS TO BE DONE IN THE ABYSS IF ONE DOES NOT CONVERSE
E
CHAPTER III—LIGHT AND SHADOW
W
CHAPTER IV—MINUS FIVE, PLUS ONE
E
CHAPTER V—THE HORIZON WHICH ONE BEHOLDS FROM THE SUMMIT OF A BARRICADE
E
CHAPTER VI—MARIUS HAGGARD, JAVERT LACONIC
C
CHAPTER VII—THE SITUATION BECOMES AGGRAVATED
D
CHAPTER VIII—THE ARTILLERY-MEN COMPEL PEOPLE TO TAKE THEM SERIOUSLY
Y
CHAPTER IX—EMPLOYMENT OF THE OLD TALENTS OF A POACHER AND THAT
T INFALLIBLE MARKSMANSHIP WHICH INFLUENCED THE CONDEMNATION OF 1796
CHAPTER X—DAWN
N
CHAPTER XI—THE SHOT WHICH MISSES NOTHING AND KILLS NO ONE
E
CHAPTER XII—DISORDER A PARTISAN OF ORDER
R
CHAPTER XIII—PASSING GLEAMS
S
CHAPTER XIV—WHEREIN WILL APPEAR THE NAME OF ENJOLRAS’ MISTRESS
S
CHAPTER XV—GAVROCHE OUTSIDE
E
CHAPTER XVI—HOW FROM A BROTHER ONE BECOMES A FATHER
R
CHAPTER XVII—MORTUUS PATER FILIUM MORITURUM EXPECTAT
T
CHAPTER XVIII—THE VULTURE BECOME PREY
Y
CHAPTER XIX—JEAN VALJEAN TAKES HIS REVENGE
E
CHAPTER XX—THE DEAD ARE IN THE RIGHT AND THE LIVING ARE NOT IN THE
E WRONG
CHAPTER XXI—THE HEROES
S
CHAPTER XXII—FOOT TO FOOT
T
CHAPTER XXIII—ORESTES FASTING AND PYLADES DRUNK
K
CHAPTER XXIV—PRISONER
R
BOOK SECOND—THE INTESTINE OF THE LEVIATHAN
CHAPTER I—THE LAND IMPOVERISHED BY THE SEA
A
CHAPTER II—ANCIENT HISTORY OF THE SEWER
R
CHAPTER III—BRUNESEAU
U
CHAPTER IV
V
CHAPTER V—PRESENT PROGRESS
S
CHAPTER VI—FUTURE PROGRESS
S
BOOK THIRD—MUD BUT THE SOUL
CHAPTER I—THE SEWER AND ITS SURPRISES
S
CHAPTER II—EXPLANATION
N
CHAPTER III—THE “SPUN” MAN
N
CHAPTER IV—HE ALSO BEARS HIS CROSS
S
CHAPTER V—IN THE CASE OF SAND AS IN THAT OF WOMAN, THERE IS A FINENESS
S WHICH IS TREACHEROUS
CHAPTER VI—THE FONTIS
S
CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS
S DISEMBARKING
CHAPTER VIII—THE TORN COAT-TAIL
L
CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER,
, THE EFFECT OF BEING DEAD
CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE
E
CHAPTER XI—CONCUSSION IN THE ABSOLUTE
E
CHAPTER XII—THE GRANDFATHER
R
BOOK FOURTH—JAVERT DERAILED
CHAPTER I
I
BOOK FIFTH—GRANDSON AND GRANDFATHER
CHAPTER I—IN WHICH THE TREE WITH THE ZINC PLASTER APPEARS AGAIN
N
CHAPTER II—MARIUS, EMERGING FROM CIVIL WAR, MAKES READY FOR DOMESTIC
C WAR
CHAPTER III—MARIUS ATTACKED
D
CHAPTER IV—MADEMOISELLE GILLENORMAND ENDS BY NO LONGER THINKING IT A
A BAD THING THAT M. FAUCHELEVENT SHOULD HAVE ENTERED WITH SOMETHING UNDER HIS ARM
CHAPTER V—DEPOSIT YOUR MONEY IN A FOREST RATHER THAN WITH A NOTARY
Y
CHAPTER VI—THE TWO OLD MEN DO EVERYTHING, EACH ONE AFTER HIS OWN
N FASHION, TO RENDER COSETTE HAPPY
CHAPTER VII—THE EFFECTS OF DREAMS MINGLED WITH HAPPINESS
S
CHAPTER VIII—TWO MEN IMPOSSIBLE TO FIND
D
BOOK SIXTH—THE SLEEPLESS NIGHT
CHAPTER I—THE 16TH OF FEBRUARY, 1833
3
CHAPTER II—JEAN VALJEAN STILL WEARS HIS ARM IN A SLING
G
CHAPTER III—THE INSEPARABLE
E
CHAPTER IV—THE IMMORTAL LIVER
R
BOOK SEVENTH—THE LAST DRAUGHT FROM THE CUP
CHAPTER I—THE SEVENTH CIRCLE AND THE EIGHTH HEAVEN
N
CHAPTER II—THE OBSCURITIES WHICH A REVELATION CAN CONTAIN
N
BOOK EIGHTH—FADING AWAY OF THE TWILIGHT
CHAPTER I—THE LOWER CHAMBER
R
CHAPTER II—ANOTHER STEP BACKWARDS
S
CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET
T
CHAPTER IV—ATTRACTION AND EXTINCTION
N
BOOK NINTH—SUPREME SHADOW, SUPREME DAWN
CHAPTER I—PITY FOR THE UNHAPPY, BUT INDULGENCE FOR THE HAPPY
Y
CHAPTER II—LAST FLICKERINGS OF A LAMP WITHOUT OIL
L
CHAPTER III—A PEN IS HEAVY TO THE MAN WHO LIFTED THE FAUCHELEVENT’S
S CART
CHAPTER IV—A BOTTLE OF INK WHICH ONLY SUCCEEDED IN WHITENING
G
CHAPTER V—A NIGHT BEHIND WHICH THERE IS DAY
Y