Preface

Two great collections of Byron's letters have been already printed. In Moore's

, which appeared in 1830, 561 were given. These, in FitzGreene Halleck's American edition of Byron's

, published in 1847, were increased to 635. The first volume of a third collection, edited by Mr. W. E. Henley, appeared early in 1897. A comparison of the number of letters contained in these three collections down to August 22, 1811, shows that Moore prints 61, Halleck 78, and Mr. Henley 88. In other words, the edition of 1897, which was the most complete so far as it goes, added 27 letters to that of 1830, and 10 to that of 1847. But it should be remembered that by far the greater part of the material added by Halleck and Mr. Henley was seen and rejected by Moore.

The present edition, down to August 22, 1811, prints 168 letters, or an addition of 107 to Moore, 90 to Halleck, and 80 to Mr. Henley. Of this additional matter considerably more than two-thirds was inaccessible to Moore in 1830.

In preparing this volume for the press, use has been also made of a mass of material, bearing more or less directly on Byron's life, which was accumulated by the grandfather and father of Mr. Murray. The notes thus contain, it is believed, many details of biographical interest, which are now for the first time published.

It is necessary to make these comparisons, in order to define the position which this edition claims to hold with regard to its predecessors. On the other hand, no one can regret more sincerely than myself — no one has more cause to regret — the circumstances which placed this wealth of new material in my hands rather than in those of the true poet and brilliant critic, who, to enthusiasm for Byron, and wide acquaintance with the literature and social life of the day, adds the rarer gift of giving life and significance to bygone events or trivial details by unconsciously interesting his readers in his own living personality.

Byron's letters appeal on three special grounds to all lovers of English literature. They offer the most suggestive commentary on his poetry; they give the truest portrait of the man; they possess, at their best, in their ease, freshness, and racy vigour, a very high literary value.

The present volume, which covers the period from 1798 to August, 1811, includes the letters written Lord Byron from his eleventh to his twenty-third year. They therefore illustrate the composition of his youthful poetry, of

, and of the first two cantos of

. They carry his history down to the eve of that morning in March, 1812, when he awoke and found himself famous — in a degree and to an extent which to the present generation seem almost incomprehensible.

If the letters were selected for their literary value alone, it is probable that very few of those contained in the present volume would find a place in a collection formed on this principle. But biographical interest also demands consideration, and, in the case of Byron, this claim is peculiarly strong. He has for years suffered much from the suppression of the material on which a just estimate of his life may be formed. It is difficult not to regret the destruction of the

, in which he himself intended his history to be told. Their loss cannot be replaced; but their best substitute is found in his letters. Through them a truer conception of Byron can be formed than any impression which is derived from Dallas, Leigh Hunt, Medwin, or even Moore. It therefore seems only fair to Byron, that they should be allowed, as far as possible, to interpret his career. For other reasons also it appears to me too late, or too soon, to publish only those letters which possess a high literary value. The real motive of such a selection would probably be misread, and thus further misconceptions of Byron's character would be encouraged.

With one exception, therefore, the whole of the available material has been published. The exception consists of some of the business letters written by Byron to his solicitor. Enough of these have been printed to indicate the pecuniary difficulties which undoubtedly influenced his life and character; but it was not considered necessary to publish the whole series. Men of genius ask money from their lawyers in the same language, and with the same arguments, as the most ordinary persons.

The picture which the letters give of Byron, is, it is believed, unique in its completeness, while the portrait has the additional value of being painted by his own hand. Byron's career lends itself only too easily to that method of treatment, which dashes off a likeness by vigorous strokes with a full brush, seizing with false emphasis on some salient feature, and revelling in striking contrasts of light and shade. But the style here adopted by the unconscious artist is rather that in which Richardson the novelist painted his pathetic picture of Clarissa Harlowe. With slow, laborious touches, with delicate gradations of colour, sometimes with almost tedious minuteness and iteration, the gradual growth of a strangely composite character is presented, surrounded by the influences which controlled or moulded its development, and traced through all the varieties of its rapidly changing moods. Written, as Byron wrote, with habitual exaggeration, and on the impulse of the moment, his letters correct one another, and, from this point of view, every letter contained in the volume adds something to the truth and completeness of the portrait.

Round the central figure of Byron are grouped his relations and friends, and two of the most interesting features in the volume are the strength of his family affections, and the width, if not the depth, of his capacity for friendship. His father died when the child was only three years old. But a bundle of his letters, written from Valenciennes to his sister, Mrs. Leigh, in 1790-91, still exists, to attest, with startling plainness of speech, the strength of the tendencies which John Byron transmitted to his son. The following extract contains the father's only allusion to the boy:-

Between his mother and himself, in spite of frequent and violent collisions, there existed a real affection, while the warmth of his love for his half-sister Augusta, who had much of her brother's power of winning affection, lost nothing in its permanence from the rarity of their personal intercourse. Outside the family circle, the volume introduces the only two men among his contemporaries who remained his lifelong friends. In his affection for Lord Clare, whom he very rarely saw after leaving school, there was a tinge of romance, and in him Byron seems to have personified the best memories of an idealized Harrow. In Hobhouse he found at once the truest and the most intimate of his friends, a man whom he both liked and respected, and to whose opinion and judgment he repeatedly deferred. On Hobhouse's side, the sentiment which induced him, eminently sensible and practical as he was, to treasure the nosegay which Byron had given him, long after it was withered, shows how attractive must have been the personality of the donor.

Without the

, the labour of preparing the letters for the press would be trebled. Both in the facts which it supplies, and in the sources of information which it suggests, it is an invaluable aid.

In conclusion, I desire to express my special obligations to Lord Lovelace and Mr. Richard Edgcumbe, who have read the greater part of the proofs, and to both of whom I am indebted for several useful suggestions.

March, 1898.