No Longer Human
人間失格
太宰治 · Japanese
Three notebooks and three photographs trace the life of a man unable to belong to human society.
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Pagera Editor's Note
Three notebooks and three photographs trace the life of a man unable to belong to human society. Dazai Osamu's autobiographical confession defined Japan's postwar disillusion and remains one of its bestselling novels.
Author
太宰治
다자이 오사무(太宰治, 1909-1948)는 일본의 소설가입니다. 대표작으로는 《달려라 메로스》, 《인간 실격》, 《잎》, 《사양》 등이 있으며, 전후 일본 문학에 큰 영향을 미쳤습니다. 자전적 성격이 강한 작품을 통해 인간의 고뇌와 불안을 섬세하게 묘사했다는 평가를 받습니다.
No Longer Human
人間失格
太宰治 · Japanese
Three notebooks and three photographs trace the life of a man unable to belong to human society.
First paragraph preview
Original (Japanese)
私は、その男の写真を三葉、見たことがある。 一葉は、その男の、幼年時代、とでも言うべきであろうか、十歳前後かと推定される頃の写真であって、その子供が大勢の女のひとに取りかこまれ、（それは、その子供の姉たち、妹たち、それから、従姉妹たちかと想像される）庭園の池のほとりに、荒い縞の袴をはいて立ち、首を三十度ほど左に傾け、醜く笑っている写真である。醜く？ けれども、鈍い人たち（つまり、美醜などに関心を持たぬ人たち）は、面白くも何とも無いような顔をして、 「可愛い坊ちゃんですね」 といい加減なお世辞を言っても、まんざら空お世辞に聞えないくらいの、謂わば通俗の「可愛らしさ」みたいな影もその子供の笑顔に無いわけではないのだが、しかし、いささかでも、美醜に就いての訓練を経て来たひとなら、ひとめ見てすぐ、 「なんて、いやな子供だ」 と頗る不快そうに呟き、毛虫でも払いのける時のような手つきで、その写真をほうり投げるかも知れない。 まったく、その子供の笑顔は、よく見れば見るほど、何とも知れず、イヤな薄気味悪いものが感ぜられて来る。どだい、それは、笑顔でない。この子は、少しも笑ってはいないのだ。その証拠には
Korean translation (Pagera AI)
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Pagera Editor's Note
Three notebooks and three photographs trace the life of a man unable to belong to human society. Dazai Osamu's autobiographical confession defined Japan's postwar disillusion and remains one of its bestselling novels.
Author
太宰治
다자이 오사무(太宰治, 1909-1948)는 일본의 소설가입니다. 대표작으로는 《달려라 메로스》, 《인간 실격》, 《잎》, 《사양》 등이 있으며, 전후 일본 문학에 큰 영향을 미쳤습니다. 자전적 성격이 강한 작품을 통해 인간의 고뇌와 불안을 섬세하게 묘사했다는 평가를 받습니다.
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