原文 (英语)

INTRODUCTION Pío Baroja is a product of the intellectual reign of terror that went on in Spain after the catastrophe of 1898. That catastrophe, of course, was anything but unforeseen. The national literature, for a good many years before the event, had been made dismal by the croaking of Iokanaans, and there was a definite défaitiste party among the intelligentsia. But among the people in general, if there was not optimism, there was at least a sort of resigned indifference, and so thin