Potato
감자
김동인 · Korean
Bongnyeo is raised in a poor but respectable farming family, sold in marriage to an idle older man, and drifts with him to the slums outside Pyongyang's Chilseong Gate.
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Pagera Editor's Note
Bongnyeo is raised in a poor but respectable farming family, sold in marriage to an idle older man, and drifts with him to the slums outside Pyongyang's Chilseong Gate. What follows is her steady adjustment to what the slum requires. Kim Dong-in's 1925 story observes her decline without a word of pity, which is what made it a landmark of Korean naturalism and what still makes it hard to read.
Author
김동인
Kim Dong-in (1900-1951) was a Korean novelist and a central figure in the founding of modern Korean fiction. He helped establish the country's first literary magazine and pushed Korean prose toward naturalism in works such as Potato and The Sweet Potato, observing decline without comment or pity.
Potato
감자
김동인 · Korean
Bongnyeo is raised in a poor but respectable farming family, sold in marriage to an idle older man, and drifts with him to the slums outside Pyongyang's Chilseong Gate.
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Original (Korean)
싸움, 간통, 살인, 도둑, 구걸, 징역, 이 세상의 모든 비극과 활극의 근원지인, 칠성문 밖 빈민굴로 오기 전까지는, 복녀의 부처는,(사농공상의 제 이 위에 드는) 농민이었었다. 복녀는, 원래 가난은 하나마 정직한 농가에서 규칙 있게 자라난 처녀였었다. 이전 선비의 엄한 규율은 농민으로 떨어지자부터 없어졌다 하나, 그러나 어딘지는 모르지만 딴 농민보다는 좀 똑똑하고 엄한 가율이 그의 집에 그냥 남아 있었다. 그 가운데서 자라난 복녀는 물론 다른 집 처녀들같이 여름에는 벌거벗고 개울에서 멱감고, 바짓바람으로 동네를 돌아다니는 것을 예사로 알기는 알았지만, 그러나 그의 마음속에는 막연하나마 도덕이라는 것에 대한 저품을 가지고 있었다.
English translation (Pagera AI)
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Pagera Editor's Note
Bongnyeo is raised in a poor but respectable farming family, sold in marriage to an idle older man, and drifts with him to the slums outside Pyongyang's Chilseong Gate. What follows is her steady adjustment to what the slum requires. Kim Dong-in's 1925 story observes her decline without a word of pity, which is what made it a landmark of Korean naturalism and what still makes it hard to read.
Author
김동인
Kim Dong-in (1900-1951) was a Korean novelist and a central figure in the founding of modern Korean fiction. He helped establish the country's first literary magazine and pushed Korean prose toward naturalism in works such as Potato and The Sweet Potato, observing decline without comment or pity.
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