A Trip to Iizaka
飯坂ゆき
泉鏡花 · Japanese
On a bright May afternoon the narrator alights at Date Station bound for the Iizaka hot springs, and a brief travel sketch slides through quarrelsome…
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Pagera Editor's Note
On a bright May afternoon the narrator alights at Date Station bound for the Iizaka hot springs, and a brief travel sketch slides through quarrelsome rickshaw men into Kyoka's signature realm of dream and accident.
Author
泉鏡花
이즈미 교카(泉鏡花, 1873-1939)는 일본의 소설가이자 극작가입니다. 낭만주의와 탐미주의 경향을 띤 작품을 주로 썼으며, 대표작으로는 『양육된 아이(廓そだち)』, 『검은 벽(黒壁)』 등이 있습니다. 그의 작품은 환상적이고 기괴한 분위기, 여성에 대한 독특한 묘사로 특징지어집니다.
A Trip to Iizaka
飯坂ゆき
泉鏡花 · Japanese
On a bright May afternoon the narrator alights at Date Station bound for the Iizaka hot springs, and a brief travel sketch slides through quarrelsome…
First paragraph preview
Original (Japanese)
旅は此だから可い――陽氣も好と、私は熟として立つて視て居た。 五月十三日の午後である。志した飯坂の温泉へ行くのに、汽車で伊達驛で下りて、すぐに俥をたよると、三臺、四臺、さあ五臺まではなかつたかも知れない。例の梶棒を横に見せて並んだ中から、毛むくじやらの親仁が、しよたれた半纏に似ないで、威勢よくひよいと出て、手繰るやうにバスケツトを引取つてくれたは可いが、續いて乘掛けると、何處から繰出したか――まさか臍からではあるまい――蛙の胞衣のやうな管をづるりと伸ばして、護謨輪に附着けたと思ふと、握拳で操つて、ぶツ／＼と風を入れる。ぶツ／＼……しゆツ／＼と、一寸手間が取れる。 蹴込へ片足を掛けて待つて居たのでは、大に、いや、少くとも湯治客の體面を損ふから、其處で、停車場の出口を柵の方へ開いて、悠然と待つたのである。 「ちよツ、馬鹿親仁。」と年紀の若い、娑婆氣らしい夥間の車夫が、後歩行をしながら、私の方へずつと寄つて來て、 「出番と見たら、ちやんと拵ツて置くが可いだ。お客を待たして、タイヤに空氣を入れるだあもの。……馬鹿親仁。」と散溢れた石炭屑を草鞋の腹でバラリと横に蹴つて、 「旦那、お待遠樣づらえ。
Korean translation (Pagera AI)
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Pagera Editor's Note
On a bright May afternoon the narrator alights at Date Station bound for the Iizaka hot springs, and a brief travel sketch slides through quarrelsome rickshaw men into Kyoka's signature realm of dream and accident.
Author
泉鏡花
이즈미 교카(泉鏡花, 1873-1939)는 일본의 소설가이자 극작가입니다. 낭만주의와 탐미주의 경향을 띤 작품을 주로 썼으며, 대표작으로는 『양육된 아이(廓そだち)』, 『검은 벽(黒壁)』 등이 있습니다. 그의 작품은 환상적이고 기괴한 분위기, 여성에 대한 독특한 묘사로 특징지어집니다.
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