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INTRODUCTION I have sometimes wondered whether it was accident or intention which made Balzac so frequently combine early and late work in the same volume. The question is certainly insoluble, and perhaps not worth solving, but it presents itself once more in the present instance. L’Illustre Gaudissart is a story of 1832, the very heyday of Balzac’s creative period, when even his pen could hardly keep up with the abundance of his fancy and